He replies, simply: “I’d rather pray alone.” “Would you like to pray together?” George is asked. Even the big moments avoid any hints of melodrama: where the scene involving his Catholic superiors could have spiralled into a loud debate about judgement, inequality and acceptance, it instead unfolds as quietly as real life does. That depth is built from the tiniest of touches, be it a smile emerging from underneath Molina’s magnificent beard, or a hand being held by the stubborn Lithgow. On the surface, Love Is Strange could be written off as First World Problems: The Movie, but Ira Sachs’ film has so much heart and depth that it’s impossible not to be caught up in it. As a result, the pair can no longer afford to live in their home, leaving them to surf the sofas and spare beds of friends and family. When they decide to get hitched, though, word spreads to the archdiocese, who fire him on the spot. They live together in a nice apartment, Ben a painter and George a music teacher at a Catholic school. Our couple in question, Ben (John Lithgow) and George (Alfred Molina), have a loving relationship that has remained stable and constant for decades. Rather, it’s everything else that goes wrong around it. But it’s not in the usual way that love goes wrong on the screen, with an affair, or a fading attraction. After 39 years together, a couple in Manhattan get married.
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